md RAZIUZZAMAN KHAN

BIO

Art is a universal language that transcends words, weaving emotions and stories that touch the soul and inspire change. As an artist, educator, and innovator, I am driven to harness this power to create immersive, meaningful experiences that preserve cultural heritage, foster emotional healing, and drive societal impact.

With a Master’s in Fine Arts (CGPA 4.0) and over a decade of experience in creative direction, 3D artistry, and tertiary-level education, I blend traditional fine arts—drawing, painting, sculpting, and photography—with cutting-edge technologies like hyper-realistic 3D modeling, virtual reality (VR), and AI-driven storytelling. As Creative Head at Jamuna Group, I led transformative branding campaigns for major brands, boosting visibility by 30% through strategic visual communication. My freelance CG artistry, serving clients like Unilever and Samsung, has honed my expertise in Maya, ZBrush, and Unreal Engine, enabling me to craft dynamic, immersive environments.

My two decades as a competitive esports player, recognized globally since 2005, have shaped my approach to interactive design. By mastering game mechanics and founding Bangladesh’s Fighting Game and Esports Community, I’ve organized tournaments and mentored aspiring gamers, fostering a vibrant creative ecosystem. As an educator, I’ve trained over 500 underprivileged students in graphic design and 3D modeling, empowering them to thrive as freelancers and designers.

Personal loss—the passing of my daughter, Melissa—has deepened my commitment to art as a tool for healing. My work explores VR’s therapeutic potential, creating emotionally adaptive experiences that honor memories and cultural narratives. At Texas A&M’s PhD program in Visual Computing and Interactive Technology, I aim to pioneer innovative game designs and VR/AR systems that preserve Bangladesh’s rich heritage while addressing global challenges like grief recovery.

My mission is to build a world-class CG research lab in Bangladesh, blending traditional aesthetics with digital innovation to empower underrepresented artists and amplify cultural stories. Through art, technology, and education, I strive to create a legacy that inspires, heals, and transforms lives for generations to come.

SKILL

• Proficient in 3D modeling, digital sculpting, PBR texturing, clean topology, shading, and post-processing workflows.

• Interior design, 3D architectural visualization, AutoCAD drafting, 3D walkthroughs

• Graphic design, branding, and strategic visual communication.

• Artistic proficiency in digital painting, figurative drawing, traditional painting, clay sculpting, portraiture, and photography.

• Experienced in managing large-scale creative projects, overseeing creative pipelines, and leading diverse teams.

RESEARCH INTEREST

• Fusion of Traditional Fine Arts and Computer Graphics

Exploring the integration of classical fine art techniques with cutting-edge computer graphics to create emotionally resonant digital art and hyper-realistic 3D experiences. This interdisciplinary approach bridges the gap between traditional artistry and modern technology, enabling the creation of immersive visual narratives that resonate deeply with audiences.

• Virtual and Augmented Reality for Emotional Healing and Cultural Preservation

Investigating the potential of VR and AR to provide therapeutic support, preserve cultural narratives, and reimagine historical figures through immersive storytelling. This research aims to harness immersive media for emotional healing, cultural preservation, and educational engagement.

• Next-Generation Game Design and Interactive Arts

Crafting characters, assets, and immersive worlds for AAA and VR-driven gaming experiences while advancing the boundaries of interactive arts and performance. This includes pushing the limits of storytelling, character development, and environmental design in gaming and interactive media.

• Hyper-Realistic 3D Likeness and Generative AI for Digital Twins

Bridging fine art, digital sculpting, and CGI with AI-driven asset creation to develop photorealistic 3D models, real-time rendering, and digital twins. This research focuses on applications in storytelling, education, and cultural preservation, ensuring historical and cultural narratives are safeguarded for future generations.

• Digital Sculpting and 3D Fabrication for Cultural Heritage

Recreating classical masterpieces and historical figures using digital sculpting, 3D fabrication, and AI-driven digital twin technology. This work aims to celebrate and preserve cultural heritage while making it accessible through innovative digital platforms.

• Immersive Media for Education, Documentaries, and Affective Computing

Utilizing VR, AR, and affective computing to create emotionally engaging and impactful narratives for documentaries, education, and interactive media. This research seeks to transform how stories are told and experienced, making them more immersive and meaningful.

• The Future of Branding in the Age of AI and Immersive Media

Exploring how AI, real-time rendering, and interactive storytelling are reshaping branding, visual identity, and user experiences in gaming, immersive media, and the metaverse. This includes investigating procedural design, generative AI, and adaptive branding for virtual worlds and AR marketing.

• Next-Generation Architectural Visualization in Immersive Environments

Researching how VR, AR, and generative design technologies can revolutionize architectural visualization and spatial storytelling. This includes creating adaptive, interactive, and hyper-realistic design experiences for both real and virtual spaces, with a focus on digital twins, procedural environments, and interactive spatial computing.

SOFTWARE PROFICIENCY

Maya, ZBrush, Substance Painter, Arnold, Photoshop, Marmoset Toolbag, XGen, Keyshot, Marvelous Designer, AutoCAD, Google SketchUp, 3Ds Max, Lumion, Unreal Engine, Premiere Pro, After Effects, Illustrator.

"Why I Create: Art as a Force for Healing, Connection, and Change."

Art, for me, is not just a profession—it’s a language of the soul. It’s how I make sense of the world, process emotions, and connect with others on a profound level. I believe that art has the power to heal, inspire, and transform, and this belief is at the core of everything I create.

My work is driven by a desire to bridge the gap between the past and the future. Through traditional fine art with CG, I aim to preserve cultural heritage, bringing historical figures and artifacts to life in ways that resonate with modern audiences. Through virtual reality (VR) and immersive storytelling, I aim to explore how technology can help us process grief, celebrate diversity, and foster empathy. And through game design, I aim to craft experiences that entertain, educate, and inspire players to see the world in new ways.

Beyond the technical and creative aspects, my work is deeply rooted in a belief in the transformative power of education. By merging traditional fine arts with cutting-edge technologies, I hope to empower the next generation of artists and creators, especially in underrepresented communities. My dream is to establish a world-class CG studio and research center in Bangladesh, where young talents can learn, innovate, and contribute to the global creative industry.

In the end, I do what I do because I believe that art is a force for good. It’s a way to challenge norms, spark conversations, and drive positive change. Whether I’m sculpting a 3D model, designing an immersive VR experience, or teaching a workshop, my goal is always the same: to create work that touches hearts, inspires minds, and leaves a lasting legacy.