Title: Moral Pollution                                        Date: 2015                                          Dimensions: 40’’ x 46"                    Media: Oil on canvas

Moral pollution refers to the contamination of ethical and moral values in a society, often caused by greed, corruption, and the erosion of social norms. When individuals and. institutions engage in unethical behaviours without consequences, it can create a culture of moral pollution that spreads throughout society. This can lead to a range of negative outcomes, such as increased crime, social unrest, and a breakdown of trust between individuals and institutions. Individuals and society need to actively promote and uphold ethical values to prevent the spread of moral pollution.

Title: Pollution of Social Emotions                     Media: Oil on canvas                    Dimensions: 40’’ x 46"                                   Date: 2015

Pollution of social emotions refers to the contamination of emotions and feelings that govern our social interactions and relationships with others. This type of pollution can be caused by discrimination, social injustice, and the erosion of social values. When individuals or groups experience negative emotions such as anger, frustration, and resentment due to social factors, it can lead to a breakdown of social cohesion and harmony. To prevent the pollution of social emotions, individuals and society as a whole need to promote inclusivity, respect, and empathy towards others. This can help to create a positive social environment that fosters healthy emotional connections and relationships.

My artwork portrays abstract, distorted figures amidst parasite trees, set against a tumultuous backdrop of brown, black, and orange hues, conveying a sense of societal disturbance. Motivated by a desire to raise awareness about the pollution of social emotions, I challenge viewers to reflect on their emotional responses influenced by social factors and inspire action towards promoting positive values. Drawing from personal observations and experiences, my work explores the internal turmoil caused by external societal pressures and delves into the complexities of human emotions affected by societal issues. The central theme revolves around the corruption of natural emotions due to social factors, symbolized by the distorted figures and their disrupted interactions, representing the decay of social harmony. Utilizing oil paints allows me to create intense colors and textures that effectively convey complex emotional states, achieved through a process of layering, mixing, and refining on canvas. By juxtaposing distorted figures against a chaotic backdrop, my work invites viewers to engage emotionally and reflects my growth as an artist in exploring thematic content and enhancing technical skills.

3D Modelling Still Life study                                   Software - Maya, Marvelous Designer, KeyShot                                                                    Year: 2019

Figure   Painting                   Medium: Oil on canvas                       Year: 2014

Title: "The Last Journey"                    Software: Maya, Keyshot               Year: 2024 

Artwork Description: This 3D model of a rickshaw symbolizes the resilience and struggles of Bangladesh's student movement. The rickshaw, an iconic mode of transportation in Bangladesh, carries profound cultural and historical significance. Emerging during British colonial rule, rickshaws became a vital part of urban life in South Asia. They represent not only a means of livelihood for many but also a silent witness to countless personal and political stories that have shaped the nation.

The Story Behind the Artwork: On a fateful day during 4 August 2024 Bangladesh’s anti-discrimination student movement, a photograph captured the tragic final moments of Golam Nafiz, a 17-year-old student. After being shot in a clash, Nafiz was placed on the footrest of a rickshaw. Despite his critical condition, he clung to the rickshaw's frame with one hand. Nur Mohammad, the rickshaw puller, attempted to rush him to a hospital in Farmgate, Dhaka. However, he was obstructed by Awami League leaders and police officers, forcing him to reroute towards Khamarbari. Despite these heroic efforts, Nafiz’s life could not be saved. The haunting photograph, taken by Jibon Ahmed of the Daily Manab Zamin, was published and widely shared on social media. It helped Nafiz’s grieving parents locate his body. However, the photograph also became a poignant symbol of collective regret—the thought that his life might have been saved if only he had received timely medical attention.

Reflection: This artwork commemorates Nafiz’s life and the broader student movement in Bangladesh. It invites viewers to reflect on the socio-political struggles of ordinary citizens and the sacrifices made in the pursuit of justice. In addition to this rickshaw model, I aim to create digital sculptures of both the rickshaw puller, Nur Mohammad, and Golam Nafiz, capturing their emotional depth. Through these figures, I hope to evoke the raw emotions of pain, struggle, and resilience. Furthermore, this project honors the rich heritage of Bangladesh’s rickshaw art, elevating it as a cultural artifact that has witnessed and participated in the shaping of the nation’s history.

Architectural design                      Software: Autocad, SketchUp                         Year: 2014

Architectural  Drafting                      Software: AutoCAD                       Year: 2014

3D Architectural design                      Software: Autocad, SketchUp                         Year: 2014

Creature Concept Sculpt                     Software: ZBrush, Keyshot               Year: 2022 

As a child, I relished the freedom and joy of swimming in ponds and lakes, but stories about the Water Hyacinths Ghost, a mythical creature from Bangladeshi folklore, instilled a lasting sense of awe and fear. Years later, when I watched Avatar II, I was captivated by its imaginative creatures, which fueled my desire to combine childhood memories and artistic expression. Drawing inspiration from sea horses and octopuses, I created a visually striking creature reminiscent of Avatar II's inhabitants, incorporating ant-like characteristics to evoke the threat of water hyacinths. Delving deeper, I incorporated elements inspired by water hyacinth plants and pond creatures such as leeches, hoping to elicit both intrigue and trepidation in viewers while demonstrating my artistic ability.

Experiment PBR texturing with substance painter                 Year: 2019